Jonas uses reflections on a lake as a mirror to displace reality, creating a disruption and the illusion of presence. "Disturbances begins with a Symbolist-like image of two women, dressed in white, seen only as reflections in water. Throughout the tape the water fills the monitor, creating layers of images. The reflections on the surface of the water are superimposed on the activities that take place underneath the surface."

—David Ross, "Joan Jonas's Videotapes" in Joan Jonas: Scripts and Descriptions, 1968-1982, ed. Douglas Crimp (Berkeley: University of California Press, 1983)

BACK

VERTICAL ROLL, 1972
MIRROR PIECE I, 1969

DISTURBANCES, 1974
DOUBLE LUNAR DOGS, 1984
LEFT SIDE/RIGHT SIDE, 1972
UPSIDEDOWN AND BACKWARDS, 1980
READING DANTE, 2008